Thanks for telling us about the problem. Return to Book Page. They disappeared seventy years ago: a group of mystery men and women from the forties. They reappeared in the modern day, lost in time, cut off from the lives they knew and up against a world vastly changed from the one they knew. Black Owl: the hero out of retirement that left a wife and child behind.
Ghost Woman: a young woman with secrets even she does not understand. Flag They disappeared seventy years ago: a group of mystery men and women from the forties. Over a dozen heroes trapped in a world they never made. Not all of them will survive the experience… Get A Copy. More Details Other Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Living Legends Book I , please sign up. Be the first to ask a question about Living Legends Book I. The ballerina pleads for his life to be spared, but her pleas go ignored.
She then stands alongside the tin soldier and both are shot into a burning fireplace, where he melts into the shape of a heart with her. The cartoon has a happy ending, as both the tin soldier and ballerina are sent to "Toy Heaven", where the tin soldier now has both legs. George Pal 's war-themed Puppetoon , "Rhythm in the Ranks", is likely a loose adaptation of Andersen's story, with a toy soldier getting discharged after falling in love with an ice-skating ballerina.
Marcia Brown 's picture book illustrating the story in M. James 's translation was awarded a Caldecott Honor. The Small Faces song Tin Soldier opens with the lyric "I am a little tin soldier that wants to jump into your fire", and appears to have been influenced by the Andersen story. Andersen's contemporary August Bournonville choreographed the tale for his ballet A Fairy Tale in Pictures , and George Balanchine choreographed the tale in , allowing the soldier and the ballerina to express their love before the ballerina is blown into the fire.
In , Soyuzmultfilm made an animated adaptation. A live action musical adaptation was the second of four episodes of The Enchanted Musical Playhouse that originally aired from to on the then brand new Disney Channel. In , Harmony Gold made an English dub of The Little Train adaptation of the story, the film was originally made in Italy in the late 70s. In , Studio Miniatur Filmowych made an animated adaptation.
Children's author Tor Seidler adapted the book in , with illustrations by Fred Marcellino. In , it was adapted into an animated television movie which was produced by Hanna-Barbera. The ballet is still produced every winter, as an alternative to the popular Christmas ballet The Nutcracker , which many American studios produce in December. Dance Fremont centers the story around a young deaf boy who receives the toys for Christmas, and uses Signed Exact English for all dialogue. In Disney 's film Fantasia , an adaptation of the tale is set to the first movement of the Piano Concerto No.
The segment differs slightly from Andersen's tale: there are only five soldiers, but still only one with one leg; the ballerina appears to be made of porcelain ; the soldier is disappointed to discover the ballerina has two legs, but the ballerina still accepts him; at the end, the jack-in-the-box villain is the one that perishes in the fire instead of the soldier and ballerina who both remain in one piece. In Stieg Larsson 's thriller The Girl Who Played with Fire , the fiercely independent protagonist Lisbeth Salander compares the journalist Mikael Blomkvist , who had stayed loyal to her despite her repeated blatant rejection of him, with Andersen's steadfast tin soldier implicitly comparing herself with Andersen's ballerina.
The Hanson song Soldier is also based on this fairy tale. The song doesn't mention the goblin at all. The tin soldier fell out the window when the wind blew and the tin soldier and ballerina melted together while dancing and the ballerina fell near the fireplace. From Wikipedia, the free encyclopedia. This article is about Hans Christian Andersen's fairy tale. Novels portal. The Hans Christian Andersen Center. She was kicking him out and throwing his stuff in the street. McGrady had been close to Kobe since they first came into the league. He'd even lived with Kobe and his parents for a week before his rookie season.
He fucking went through that trial and was coming back and forth and was still fucking going nuts. That right there, I knew he was obsessed with basketball, like this was his fucking life. I just said, 'Phil, listen. You don't have to play that shit with me.
I understand what you're doing. But I don't need that,'" Kobe says. Yes, I am un-coachable, because you don't have to manage me. He says he has a "beautiful" relationship with Jackson now. He has learned from the Zen Master's emphasis on staying in the moment. This year, he says, he took Jackson's advice in how to approach his farewell tour.
Break it up into sections, Jackson told him. Appreciate each emotion for what it is, without making it bigger than the current moment. There is nothing you need to say to me. Just tell me what you need me to do.
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My love is already here for the game. He searches for a metaphor to explain it further. This is the role that Heath Ledger posthumously won an Academy Award for but that many point to as the beginning of his personal descent. A documentary later revealed that the troubled actor spent a month in a hotel room preparing for the role of the madman by staring at the walls and laughing. Ledger was so Method, he created a diary filled with stills from "A Clockwork Orange" and photos of cackling hyenas. Anytime he needed to get into character, he'd flip through the diary.
Rick Fox tried to reach Kobe once.
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It was still. Once again, Kobe was wantonly playing outside the team's triangle offense and it was affecting the rest of the team. Just try. Kobe looked at him and asked why he should do anything differently when his way had gotten him to where he was. And I'm like, 'Who am I to say your way isn't the better way? Fox eventually did. He already had a bad foot injury and a neck problem. So he told the Lakers he was going to retire with one year left on his contract.
The team tried to change his mind. He wouldn't, and so they traded him to Boston. He never played another game. I just couldn't do it. AT A. He wore a scarf, a hat and a thick winter coat. The caption reads "Beethovens Moonlight Sonata calms me down when I reach my breaking point relaxandfocus. The Lakers had just lost to the Bulls and fallen to in a season when they'd expected to contend for a championship after trades for Dwight Howard and Steve Nash. At a.
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Pray for the bear" from The piano to the weight room determined psycho. It was a very conscious choice. Someone else had to take those photos of him. Then he had to post them. Then he checked his mentions and responded to them. They'd been fighting again. Vanessa filed divorce papers in Kobe was desperate to hold on to her.
He wanted a grand gesture. It was harder than he thought. His fingers have been broken and jammed so many times over the years that they don't really bend anymore. But he had to show her. He had to hold on to her. They had a family together, and he would fight for it as hard as he did the last time. Taking lessons wasn't enough. Anybody can do that. Kobe had to be exceptional. So he'd put headphones on, listen to "Moonlight Sonata" on loop, and try to figure out the music on the keyboard in front of him.
Stories about Kobe's supernatural work ethic and pain tolerance are told like legends. Clippers forward Blake Griffin heard Kobe went on a mile bike ride through the desert on the night before Team USA camp began in About a year later, Griffin asked if I could find out whether it was true. Kobe wrote back plainly, "Yea. Why at night? The story gets better the less he says.
Griffin eats the story up. He wants to go with him next time. He loves the process, the passion, the mystery. Lakers president and co-owner Jeanie Buss tells people how she would show up for work at 8 a. I know who is here," she said. Shaw would show up at Staples Center around 3 p. He didn't just close his eyes and count on the fates to make him a hero. He practiced exceptional feats. Taking lessons would be easier, yes. They'd also be a way of learning to read sheet music so he could play other songs besides "Moonlight Sonata.
If you watch Muse, we use the chords from 'Moonlight Sonata. IT'S , about three months after he'd ruptured his Achilles. The healing process had been going well. If he'd waited even a day to process the devastation, inflammation would've set in, his recovery would've been nine months instead of seven.
Instead, he told the surgeons to cut into him while the tendon was still dangling and raw. That's not going to happen to me. For all his unyielding belief in his own exceptionalism, Kobe looked at his broken-down body as if it was time to harvest the organs. The summer before, he had reached out to a filmmaker named Gotham Chopra and asked whether he'd be interested in working with him on a documentary for Showtime.
I can't. He can meet you tomorrow night for dinner if you're free. And, by the way, it's his birthday. It wasn't ideal for a first meeting to take place at a birthday party. But you don't turn down an opportunity like this. So Chopra shows up to the Chateau Marmont in Hollywood early, hoping to get more than a few minutes with Kobe before the party gets going. But when he gets to the hotel restaurant, there's no party.
There's just a small table in the back for the two of them. They ended up talking for hours. First about Michael Jackson, one of Kobe's closest mentors, whom Chopra's father, Deepak, had been a spiritual adviser to. Then about Chopra's love for the Boston Celtics. The connection was instant. Chopra and his crew set up an office closer to Kobe's house in Newport Beach, California. Kobe invited them to film everything. Family time, doctors' appointments, hours and hours of mind-numbing rehabilitation sessions.
If the cameras weren't following him, he would have been alone as he stared into the abyss of his basketball mortality. Instead, as he says in the trailer for Muse, "it became therapy on film. He'd show up at the office as early as he used to show up at the gym to get shots up before practice. They'd talk craft well into the night. He'd be quoting from his student films. Kobe would get off on beating Chopra to the office in the mornings. He was touched when one of the young editors on the crew volunteered to work through Thanksgiving rather than go home to see his family.
Kobe admired the commitment and saluted it with a plate of food from his own table. But now I look back and I miss that to some extent. It's not hard to see what was happening. The crew became his new team. The movie became his new life. If he couldn't live like a legend anymore, if his body wouldn't allow it, at least he could start memorializing the life he led. He became obsessed with the legend of Achilles, the warrior from Greek mythology who chose a short life that would be remembered for eternity over a long life of little consequence.
Chopra said he noticed a real change after Kobe's shoulder injury in It was his third straight season-ending injury. Vanessa and his daughters were too important to him. If basketball was over for him, he had to think of them now. He takes them to school every morning. Natalia, 13, loves going to movies and reading. Gianna, 9, is more of an athlete. She wants to run with him and shoot hoops in the yard. And Vanessa, well, "We grew up together. And we won each other back. There was a sadness for a while after that doctor's visit. Kobe would go to the basketball court and shoot baskets with the torn rotator cuff.
It was as if he just needed to go through the ritual act of shooting baskets through the night to absolve the final failure of his flesh. He knew season-ending surgery was the only option. The first time they met, Kobe told Bernstein he had all his posters growing up. This season, Bernstein's assignment was to document Kobe's basketball death. The last visits through each city, the final words to his former rivals.
Bernstein saw everything, and sometimes he really wasn't sure what he was looking at. For two decades, Kobe Bryant had burned angrily in the night sky. He pissed people off and pushed them towards uncomfortable places. He was uncompromising in his demand for excellence and passion. At All-Star Games, Kobe would get mad at players who didn't go hard.
That's when they became good friends. This year was different, though. By the time Kobe got to the All-Star Game in Toronto, when the NBA showed not one but two tribute videos to him before the game, he seemed numb to all the adornment. He was just so different from the guy who wanted to win every freaking All-Star Game. First came the joke gifts. A cane, compression socks, a subscription to Netflix.
Then each man told Kobe how he would remember him. Video of the dinner and speeches was released to various entertainment websites a few days later, presumably by publicists for the restaurant or the men. It felt cheap and staged, even though the actual motives for the dinner were sincere and friends say Kobe seemed genuinely appreciative of the night. A few weeks later, I ask Kobe what he remembers about that dinner. There are a bunch of details from that night on the internet.
It was called the Gentleman's Supper Club. Carmelo got him a magnum of Gaja Barbaresco. He had scripted how this morning would go a long time ago. There was no way he was going into whatever comes next without a plan or a purpose. His wife and two daughters stayed up with him as long as they could, eating pizza and trying to unwind from an epic final night nobody was entirely sure yet was real. After 20 seasons, he was entitled to sleep in.
Instead he set his alarm clock, determined to follow the script he had written. What was more ridiculous? That his 60 points was twice as many as any Hall of Famer has scored in his last regular-season game. That, at age 37, he was five years older than anyone else who has scored 60 points? That no one has taken 50 shots in an NBA game in 49 years? Kobe had hugged all of them before he walked off the court. All these men he'd won championships with, pissed off, challenged, alienated and dominated in his year NBA career.
They all showed up to bear witness to his final game, hoping he'd somehow find a way to die on the court as defiantly as he had lived. He said he felt emotional as he put his jersey on for the last time. He looked unbalanced by it as he missed his first five shots. He is human, of course. He just doesn't accept it. All week I'd been asking him whether he was getting nostalgic for his final game. He wouldn't crack. The Undefeated is the premiere platform for exploring the intersections of race, sports and culture. Not conventional. Never boring. The Patriots quarterback would like to find a way to keep his privileged kids grounded.
Another championship wouldn't hurt, either. A note from the writer: On the surface, everything has changed since this story. At the time, Brady hadn't won a Super Bowl in eight years, and he was trying to reignite the magic of his youth. He had lived in the public eye without any accusations against his integrity.
But in the four years since this piece was published, it's amazing to consider how little of Brady's essence has changed -- and how it helps you reconcile all that has happened since. The line that holds up now and will forever is this: "Brady's genius lies in his striving. And it explains why he's not done. It's more of a Tom Brady Passage, wider than a hallway but thinner than a room, an "awkward space," he says as he enters it on a March morning. The shelves are packed with photos and trophies, mementos and tokens, all surrounding a flat-screen TV, and when you first walk in, you think, That's it?
Brady could easily fill a room many times this size.
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But there's a purpose in here, as subtle as its modesty, and to understand it, you have to understand this about Brady: When he wants something to be a reflection of himself, he labors over it. For instance, in high school, college and even in the NFL, Brady always washed his own car. Nobody could do it better. Nobody sweated every detail the way he did. And now, because he no longer washes his car -- "My wife would kill me for wasting water," he says -- spaces like this represent a part of him. In fact, Brady seems to have designed this passage for those who spend the most time in it, hoping they'll someday understand and appreciate everything that occurred in between the Michigan helmet on one side and the Patriots helmet on the other.
For most of his life, that coach was Tom Martinez, whose picture hangs in the passage in Brady's apartment, a sketched portrait of a smiling older man with heavy eyebrows, dark eyes and a weathered face. Martinez was the coach at the College of San Mateo in California, and Brady first attended Martinez's football camp the summer before his freshman year of high school at local Serra High. Brady's father, Tom Sr. Brady was so anxious the night before his first start as a sophomore that he told his dad, "I forgot how to throw. No magic, no whispering, just throwing until doubt seeped away. Two decades later, of course, Brady is a future Hall of Famer and entering the final act of his career.
He says that his "first 13 years prepared me mentally and physically for my last seven. He has been loved and reviled; he has won MVP awards and has watched -- after his knee injury in -- football move on without him. Most of all, he has kept it together. He has never self-destructed or posed for a mug shot or twisted himself in lies. Brady is a study in discipline and consistency -- he plays and wins -- in the face of the most extreme professional and personal life expansion of any athlete of his era.
If the first stage of his career was defined by miracles and the second stage was somewhat diminished by them, in the third stage he's trying to summon magic again. And so in February, Brady stood in the gym in his house in the Los Angeles hills with his new throwing coach, Tom House, the former major league pitcher whom Brady hired last year after Martinez died of a heart attack. Maybe it would help, maybe it wouldn't. The point was to try. House prepared to put him through a beginner's version of the slice of torture he had designed for pitchers called the Fogel Drill: stepping and shuffling as fast as possible while making simulated throws for 30 seconds.
Pitchers who've trained with House do four sets; House wanted Brady to try one. House set his timer, and Brady was off, shuffling and stepping, throwing right and left, and after 30 seconds, the color had drained from his face and he felt as if he might pass? Hunched over, Brady looked at House and said, "How long will it take before I can do what the pitchers do? They care only that this space gets as dark as a tunnel -- all the better for movies. But whenever Brady enters, he gravitates toward the pictures.
Here he is in Africa, with the ONE campaign. Here he is with the Entourage cast, from his cameo years ago. Here is one with Joe Montana, his football idol, and as he points to it, he casually nods, still in awe, still in disbelief, still impressed, even though he'll be 36 when the season starts and has eclipsed his hero in almost every measure except championships.
His voice is scratchy. His nose is stuffed. He has one of those parental colds that has lingered for weeks. Brady is a young father -- to sons Jack and Benjamin, ages 5 and 3, and 5-month-old daughter Vivian -- and an aging quarterback. But he says, "I feel like I'm 25," and he looks it too. Few wrinkles or grays. Slimmer, more sculpted than he was a decade ago. But the years show in subtle ways.
Brady needs sleep more than he used to. His diet is stricter. He rarely drinks. He used to love to hit the bars after wins. Now he says he wants to go home, see his kids and crash. That's right: Brady, once the vessel of quarterback glamour not seen since Joe Namath, is now a homebody. Brady, the consummate teammate, now considers himself "more coach than player. At the same time, Brady tries to relate to them. Brady asked the teenage son of a buddy what music he likes so he'd know what the rookies would be listening to. ASAP Rocky -- something like that?
He's not much hipper at home. If he happens to zone out while thinking about football or pecking on his BlackBerry, his wife snaps him back to reality: "Is this a Tommy day or a family day? When they say no, Brady replies, "No kisses for Daddy. But if he's late returning calls because he's playing with his kids, he doesn't care. If he misses a night out with the guys to watch Toy Story -- again -- that's okay. Two challenges constantly circle in his head, both beyond his control: how to win another Super Bowl and how to raise balanced kids in an unbalanced celebrity world.
When Brady remembers playing with other neighborhood kids in the street, he considers that his children will be raised in a gated house in the Los Angeles hills. Brady grew up overlooked; his kids are photographed even when Brady's parents take them to the playground. Brady grew up roaming the Candlestick Park bleachers; his kids sit in a luxury suite.
Brady is neither whining nor seeking pity when he says, "How do you get your kids to understand that this is not the way the rest of the world is? And what Brady doesn't point out is as revealing as what he does. He easily could have won a third, maybe even a fourth or fifth, if the ball had bounced differently. But the reality is based on injuries and different margins for error.
In certain games, you have to be perfect, and if you're less than perfect, you're gonna get beat. Brady has always amassed responsibility not only as a means of control but as a path to perfection. He wields as much power at the line of scrimmage as any quarterback ever. He often blames himself for dropped passes -- for throwing the ball to an unreliable target. He has restructured his contract when asked.
He has been one of the most leaned-upon athletes of his generation, and the results have been brilliant -- 11 division titles, seven AFC championship games, three Super Bowl wins, two Super Bowl MVPs, two winning streaks of at least 18 games and numerous records. Yet his increased mastery of his craft has not yielded the same results as his early years did. In fact, it has yielded moments -- the slight misfire to Wes Welker that likely would have iced the Super Bowl two seasons ago or the costly botched clock management against the Ravens -- from which "I've learned that it's hard to close it out," he says.
In it was miraculous for the Giants to win. But no one remembers that. They remember who got the trophy. What was hard then is harder now.
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It's strange to see Brady -- a fierce bottom-liner -- say that it's "nice to always be in the hunt," that "if you keep knocking on the door, you're going to win it. It's a game of odds, luck plays a role and he wasn't always perfect during the Patriots' championship run. He can control only his own play, yet as a quarterback: "You're the one out there. What happens reflects on you. Once, receiver Donte' Stallworth didn't run hard on a route and Brady's pass was intercepted.
On the sideline, Stallworth told Brady, "My bad. He just looked Stallworth in the eye. And stared. And stared, until Stallworth felt worse than if Brady had yelled at him. Then Brady turned to look at the ground. It's large and silver, with the Michigan logo and Brady's name inscribed on the cover. One of Brady's mentors, Brad Canale, made it for him, a scrapbook of his college years, a narrative of slights and growth that Brady thinks about now as a parent rather than as a quarterback. That he made the leap from an "immature" kid, as he says, to a "mature" man is not only at the heart of why he worries about overprotecting his kids but also at the heart of the biggest sports mystery of the past 15 years: How did every scout, coach and GM manage to miss him?
Even Brady's parents, when asked over dinner in San Mateo for a moment that, looking back, served as a predictor of his football immortality, draw blanks. Whatever special sense Brady has used to channel nerves into a Hall of Fame career "didn't come from his mother," Tom Sr. And it was his dad who, when Brady was buried on the Wolverines' depth chart, secretly hoped that his son would transfer to Cal. Brady could start sooner, and father and son could rekindle their Sunday ritual: golf, often at the old par-3 Bay Meadows Racetrack, a course in San Mateo. But Tom Sr. And he realizes now that if Brady had transferred to Cal -- if he'd taken the easy way -- he wouldn't be in the NFL.
The father didn't give any advice. What followed, of course, is lore only in retrospect: Brady walked into the office of Greg Harden, the director of athletic counseling at Michigan, and said, "I need help. He graduated with an unbreakable self-belief. And one day this winter, during a round of golf, Brady told his dad, "I couldn't be where I am now without experiencing those things.
Season opener , against the Jets at the Meadowlands. First game with Randy Moss, first pass to Moss. Brady was hit as he released, and he figured he had missed, high and wide. Buried on the ground, Brady listened for the crowd's response. He heard a massive groan. Moss had caught it, by god; he had jumped and snared it, and Brady thought, Holy s -- , that was nice!
So it went in , "a magical season," Brady says, "until the last drive of the Super Bowl. It was the first year that Brady erupted statistically. The year that his pristine reputation was briefly tainted, first by a public breakup, then by Spygate. The year that he began dating Gisele Bundchen and his personal life became a global obsession. The year he became a father. And the year that he nearly pulled off a perfect season. How Brady held it together has always been a mystery -- how the son who loved his dad so much that he invited him to his 21st birthday party dealt with not being around his firstborn; how a grinder felt about being labeled the chief benefactor of cheating; how in the crucible of unrelenting scrutiny he not only withstood every team's best shot each week but threw 50 touchdown passes and only eight interceptions.
Instead, he simply used the things that had carried him throughout his life. Though former Patriots center Dan Koppen says that "we just wanted to say f -- you to everyone" about Spygate, Brady just smiled through news conferences, then threw himself into his work. When he wasn't at work, he threw himself into parenthood. Jack had been born in August and was being raised in Los Angeles by his mother, Bridget Moynahan, Brady's former girlfriend.
Brady had learned shortly after they broke up that she was pregnant. He often asked coach Bill Belichick for permission to fly to LA after games and return to Massachusetts just in time for their weekly Tuesday meeting. As Brady's life became more complicated, football became easier. On Friday afternoons, Belichick allowed the first-team offense to face off against the first-team defense. The defenders, recognizing the plays, would usually stop the offense.
One Friday, after the defense had won again, Belichick pulled the starters. Brady begged for another chance. Belichick relented. In the huddle, Brady said to Moss, "Go to the end zone. Let's get this s -- t. Moss ran deep, and Brady hit him for a touchdown. Brady jogged to the defensive backs.
The Patriots had an inside joke about celebrating touchdowns in practice in a way that would draw fines during games. Brady raised his arms and pretended to fire bullets. Everyone laughed, but as Brady learned, even perfection fell subject to luck -- no more or less, it turns out, than the Tuck Rule. After the first Super Bowl loss to the Giants, the moment he silently replayed was not David Tyree's catch but rather his first throw of the game -- a screen pass off two fakes.
Brady faked a handoff, then a reverse. But as soon as he turned, he had two Giants in his face, and he couldn't see running back Laurence Maroney, wide open with 60 yards in front of him. Brady threw low, incomplete. Maybe, Brady thought, if he had hit that pass, the game wouldn't have come down to a lucky catch. Kraft," Brady says, pointing to a picture on a high shelf.
The relationship between Brady and the Patriots owner is unique, not only because Brady helped restore Kraft's reputation as much as he did Belichick's. No, what makes their relationship uncommon is how they help each other, like teammates. Kraft does Brady a solid if he needs it, like when he lent Brady his plane in so Brady could see Jack's birth in LA; Brady restructures his contract to help the team. Of course, Brady also redid his contract as an exercise in control. He had hoped that Welker would re-sign for , not only because he loves Welker personally -- in his passage, Brady has a picture of the two of them after a workout.
Welker "allowed me to do the best I can. If someone's taking away 20 percent of my mental energy each day, I can't be at my best, because I'm worrying about whether they'll show up prepared. In his apartment, Brady is asked whether he ever experiences doubt. He is motivated by the fear of not fulfilling his own expectations. Consider his goals, and not just the overarching one of winning the Super Bowl.
Consider the specific goal of limiting his interceptions to fewer than 10, which he has accomplished in three of his past five full seasons. Last year, for the first time in his career, "a skinny, weak kid coming out of college" didn't lose a fumble. A few months ago, Brady watched Jiro Dreams of Sushi , a documentary about an year-old who loves to cook and wakes up each day trying to improve at doing so.
What's better than what you're doing? He won't allow himself to feel doubt. He will always test the limits of what he can control, because it's the only way of controlling what he loves to do. In it, he and his wife are dressed fancy, surrounded by family, and though you expect to see a picture of extravagance, the picture looks real and normal, once you get past the fact that the two happiest faces are on two of the most famous people in America. Brady's marriage did more than give him a partner who is in many ways his reflection: a type A personality at the top of her profession, whose own story -- being spotted at a McDonald's by a talent agent -- is as improbable as his own.
No, Brady's marriage launched him into the Jay-Z-Beyonce, Pitt-Jolie "power couple" stratosphere, lopping the uncontrollable specter of celebrity onto the uncontrollable enterprise of fatherhood, ensuring that, as he says, "my parenting will be different than how I was parented.